カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is printed in a similar rose-brown and grey-blue guilloche scheme, with a broad lace-pattern border enclosing a plain central field. The denomination "Drei Millionen Mark" is again rendered in large Fraktur script occupying the upper portion of the central panel, with a lighter letterpress repetition of "Drei Millionen Mark" as an underprint text across the lower section. No pictorial vignette is present; the design relies entirely on the typographic treatment and fine guilloche work for its visual effect. |
| 裏面の銘文 | Drei Millionen Mark Drei Millionen Mark |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Landesbank der Rheinprovinz was one of dozens of regional and municipal institutions forced into emergency note production during the hyperinflation spiral of 1923, when the Reichsbank simply could not supply enough currency to keep pace with collapsing purchasing power. By the time denominations reached the millions, notes like this one had a useful circulation life measured in days — the value printed on them was often obsolete before the ink dried.
J. P. Bachem was a Cologne-based Catholic publishing house with commercial printing capacity, pressed into notgeld production out of geographic convenience. Not a specialist security printer.