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250 Ngultrums - Jigme Singye Guanyin
| Uitgever | Royal Monetary Authority of Bhutan |
|---|---|
| Jaar | 2001 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central design featuring a double vajra (dorje) motif surrounded by four sinuous druk (thunder dragons) rendered in high relief, arranged symmetrically around the central axis in traditional Bhutanese decorative style. A lotus blossom is depicted at the base of the composition, with stylised cloud scrollwork filling the field. An inscription in Dzongkha script appears in the upper legend, with the legend KINGDOM OF BHUTAN arching along the lower border in Latin characters. Eight small asterisks are evenly spaced around the inner rim. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Bhutan's Royal Monetary Authority issued a series of collector pieces in the early 2000s drawing on Buddhist iconography significant across the Himalayan world. Guanyin — the bodhisattva of compassion known in Tibetan Buddhism as Chenrezig — holds particular devotional weight in Bhutan, where Vajrayana practice shapes state ceremony and royal legitimacy alike.
Jigme Singye Wangchuck, the fourth Druk Gyalpo, reigned during a period of deliberate modernization that paradoxically leaned harder into traditional Buddhist framing as an anchor for national identity.