Catalog
See full images - free registration
Continue with Google - no registration!
or register with email
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
25 Piastres
| Issuer | Banque de Syrie |
|---|---|
| Year | 1919-1920 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Bradbury Wilkinson and Company, United Kingdom (1856-1990) |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Central vignette of the Minaret of the Bride, located on the north side of the Omayyad Mosque courtyard in Damascus, positioned at lower centre. The note carries extensive French-language text setting out the redemption terms, with the issuing bank name and denomination rendered in both French and Arabic script. The overall layout is framed by fine guilloche borders typical of Bradbury Wilkinson engraving work of the period. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | البنك السوري 25 PIASTRES SYRIENNES 25 PIASTRES SYRIENNES |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Banque de Syrie was established in 1919 under French Mandate authority, effectively replacing the Ottoman Imperial Bank's monetary role in the Levant after the collapse of Ottoman administration. This note belongs to the bank's inaugural series — among the first paper currency issued under the new French-controlled order, denominated in piastres at a moment when the pound sterling, the Egyptian pound, and various Ottoman-era instruments were all still competing in local circulation.
Bradbury Wilkinson's involvement signals that Paris was content to outsource security printing to London for this series, a pragmatic choice given capacity constraints in postwar France.