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25 Pfennig Nordische Messe
| Uitgever | City of Kiel (Notgeld) |
|---|---|
| Jaar | 1921 |
| Type | Local banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Printed in red, orange, and blue on a yellow-ochre ground, the note is divided into three vertical panels framed by a decorative brick-pattern border. The central panel bears the denomination voucher text and a large red anchor-and-cross emblem — the heraldic symbol of Kiel — flanked by the inscription MESSE IN KIEL below; flanking panels each display a circular vignette of local harbour and architectural scenes surmounted by ornate foliate scrollwork in Art Nouveau style, with the denomination 25 PFG printed in red at the foot of each outer panel. The designer's signature O. VOGLER appears in small lettering at the lower centre. |
|---|---|
| Opschrift voorzijde | GUTSCHEIN NR. DER NORDISCHEN MESSE IN KIEL 25 PFG O.VOGLER |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Kiel's 1921 Nordische Messe — the Nordic Trade Fair — was a deliberate post-war bid to rebuild commercial ties with Scandinavia at a moment when Germany's trade networks were in ruins and the mark was sliding fast. The city issued Notgeld specifically for the fair, a common municipal tactic by this point: local scrip kept spending within the event's economy and, increasingly, was collected as a souvenir rather than spent at all.
O. Vogler's design work for the Kiel series is regionally specific rather than generic — unusual for Notgeld of this period, where stock imagery was frequently recycled across issuers. Collector demand ensured most examples survived in unfolded condition.