目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A full-length illustrative vignette by designer Günther Clausen portrays Till Eulenspiegel in his role as baker, seated in a chair and holding aloft a dough figure, surrounded by an array of owl and toad pastry forms rendered in a bold, expressionist woodcut style. The denomination '25 g' appears in the upper right corner, while a verse in Low German dialect is set in two text blocks to the left and lower centre. The designer's name 'GÜNTHER CLAUSEN' is inscribed in a banner at the lower margin. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | No watermarks |
| 变体 | 登录 以查看详情 |
| 备注 |
The Braunschweigische Staatsbank was one of the smaller regional issuing institutions still operating during the Weimar-era small-change crisis of 1921, when a nationwide coin shortage — driven by metal hoarding and postwar inflation — forced local banks, municipalities, and even private businesses to flood the economy with low-denomination Kleingeldscheine. This 25 Pfennig note was a direct product of that emergency.
Günther Clausen, a Brunswick-based graphic artist, handled design work for several of the Staatsbank's Kleingeldscheine issues. The watermarked paper was an unusual security measure for notes of this denomination and brief intended lifespan — most comparable issues from the period skipped it entirely.