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25 Pfennig

Uitgever Gemeindekasse Kellenhusen (Ostseebad)
Jaar
Type Log in om details te zien
Waarde 25 Pfennigs (25 Pfennige) (0.25)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde The obverse is printed in red and black on cream paper, with a decorative red wave-pattern border framing the entire note. At centre, a large red numeral '25' is flanked by a symmetrical Art Nouveau vignette of two reclining mermaids supporting a cartouche inscribed with the issuing authority's text; below the cartouche, a red trident symbol is centred within a stylised bracket device. The designer's name 'Walter Siegmann Oldenburg i.H.' and the printer's imprint appear in small text along the lower margin.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde Is de Krankheet
noch so old, heelt ward se dorch
Water, Sünn un Holt
Notgeld des Ostseebades Kellenhusen
25
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Kellenhusen is a small Baltic seaside resort on the Schleswig-Holstein coast, and this note is a product of the post-WWI Notgeld wave that swept German municipalities between 1919 and 1922. Resort towns like Kellenhusen issued these small-denomination emergency notes partly out of genuine small-change necessity and partly because the collector market for attractive Notgeld had become, by 1921, a revenue stream in its own right — towns printed more than they ever intended to circulate.

C. Fränckel Nchfg. C. Will in Oldenburg in Holstein was a regional printer that handled several local authority commissions in northern Germany during this period. Walter Siegmann's involvement as designer is noted in the DeNG reference, though his work across the series varies considerably in ambition.

MISSCHIEN OOK INTERESSANT