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25 Patacas
| Emittent | Banco Nacional Ultramarino |
|---|---|
| Jahr | 1944 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Litografia Sin Chok & Ca. |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Brown and pink note centred on a guilloche cartouche bearing the bold red overprint 'MACAU' above the denomination legend 'VINTE E CINCO PATACAS EM MOEDA CORRENTE'. The bank seal with a sailing vessel vignette occupies the left, while the Portuguese coat of arms anchors the right, with serial number prefixes flanking the upper centre and a decree number inscribed across the central field. Two manuscript signatures appear at the lower margin beneath the titles 'O GERENTE' and 'O DIRECTOR'. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Watermark visible in the paper, consistent with contemporary Banco Nacional Ultramarino Macau issues. |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banco Nacional Ultramarino had long relied on European printers for its colonial issues, making this note an anomaly: printed locally in Macau by Litografia Sin Chok & Ca. during the Japanese occupation of surrounding territories. With sea routes to Portugal severed and the colony itself operating under extraordinary pressure as a neutral enclave inside Japanese-controlled southern China, local production was the only viable option.
The wartime circumstances show in the printing quality. Sin Chok was a commercial lithographer, not a security printer, and the notes reflect that — fidelity to the design is inconsistent across the run.