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25 Gulden William the Silent, of Orange
| Uitgever | De Nederlandsche Bank |
|---|---|
| Jaar | 1929-1930 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
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| Beschrijving voorzijde | Printed in red, the obverse carries a vignette of Mercury seated at left, a portrait of William of Orange at top center, and a galleon at right. A central underprint reproduces the painting 'Schreiner's Tower in Amsterdam' by Jacob Maris. The face value and issuer legend are rendered in intaglio. |
|---|---|
| Opschrift voorzijde | DE NEDERLANDSCHE BANK BETAALT AAN TOONDER VIJF EN TWINTIG GULDEN 25 (Translation: Bank of Netherlands Pay to the Bearer Twenty Five Gulden 25) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
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| Opmerkingen |
Enschedé's engraved work on the P#46 is among the most technically accomplished Dutch intaglio printing of the interwar period — the Haarlem firm had been supplying De Nederlandsche Bank since the nineteenth century and brought a depth of plate work to this series that offset lithography simply could not match. The notes were issued across two fiscal years, 1929 and 1930, straddling the Wall Street crash, though Dutch monetary policy at the time kept the guilder firmly on gold.
Circulation wear on surviving examples tends to concentrate along the horizontal fold lines, a known characteristic of this format.