カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Maroon and tan intaglio print on white paper. At right, a vignette reproduces the portrait of a young girl in blue dress from the painting 'Meisje in het blauw' by Johannes Cornelisz. Verspronck, rendered in fine line engraving. The face value numeral '25' appears at lower left, with the bank title and denomination legends arranged across the note. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | 25 AMSTERDAM 7 MEI 1945 JOH. ENSCHEDÉ EN ZONEN (Translation: 25 Amsterdam May 7, 1945 Joh. Enschedé and Sons) |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
This note belongs to the first series issued after Liberation — De Nederlandsche Bank resumed operations in the summer of 1945 under Allied authority, with Enschedé's Haarlem plant one of the few Dutch printing facilities that had survived the occupation without major disruption. The 1940–45 period had forced the Bank into a deeply compromised position, with occupation authorities compelling it to finance German requisitions through credit expansion, leaving the Netherlands with severe monetary overhang by war's end.
A sweeping currency reform followed in September 1945: all circulating notes were called in, stamped, and exchanged at controlled ratios to suppress the inflationary surplus. Whether a given example passed through that process — or escaped it — is often the most consequential fact about any 1945-dated Dutch note.