25 Cents - Juliana Pattern

发行方 Netherlands Antilles
年份 1969
类型 Coin pattern
面值 25 Cents (0.25 ANG)
货币 Gulden (1828-date)
材质 Nickel
重量
直径
厚度
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师
流通至
参考资料 KM#Pn5
正面描述 Arms of the Netherlands Antilles and the motto in Latin `Unified by freedom` and the date at the bottom
正面文字 Latin
正面铭文 NEDERLANDSE ANTILLEN LIBERTATE UNANIMUS 1969
(Translation: Netherlands Antilles Unified by Freedom 1969)
背面描述 Face value surrounded with 6 stars as the 6 islands of the country
背面文字 Latin
背面铭文 25 CENT
边缘
铸币厂 Royal Dutch Mint (Koninklijke
Nederlandse Munt), Utrecht, Netherlands (1010-date)
铸造量 1969 - - 210
Numisquare 编号 3642320740
附加信息

Historical Context: This 1969 25 Cents pattern coin emerges during Queen Juliana's reign (1948-1980), a period of evolving autonomy for the Netherlands Antilles, which gained internal self-governance within the Kingdom in 1954. Pattern coins, like this example, represent proposed designs or specifications not adopted for general circulation. Its creation in 1969 suggests a consideration for updating the Antilles' coinage, potentially exploring new aesthetics or compositions, before existing circulating types were ultimately retained. It offers a rare insight into the minting considerations of the era.

Artistry: While a specific engraver for this pattern coin is often undocumented, its design likely reflects contemporary Dutch numismatic trends of the late 1960s. The obverse would feature a dignified, modern effigy of Queen Juliana, typically facing left, rendered with clean lines. The reverse design would clearly display the denomination '25 Cents', the issuing entity 'Nederlandse Antillen', and the year '1969', possibly incorporating a national symbol or abstract motif representing the islands.

Technical/Grading: Struck in nickel, this pattern coin would typically exhibit sharp details due to its experimental nature and careful production. Key high-points for assessing strike quality include the highest contours of Queen Juliana's hair and facial features on the obverse. On the reverse, attention should be paid to the crispness of the numerals, lettering, and any central design elements. Patterns often feature proof-like fields, and a strong, even strike across all elements is paramount for a top-grade specimen, highlighting its intended design clarity.

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