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25 Céntimos Pomar de Cinca
| Uitgever | Colectividad de Trabajadores de Pomar de Cinca |
|---|---|
| Jaar | |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Vale por 25 cts. |
| Beschrijving keerzijde | The reverse, in matching plain orange card stock, is authenticated solely by a large circular hand-applied stamp in blue-violet ink. The outer ring of the stamp bears the legend 'Colectividad de Trabajadores — Pomar de Cinca (Hu...)' with a concentric inner ring surrounding a blank central field; no printed text or additional device appears elsewhere on this side. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Pomar de Cinca is a small municipality in the Huesca province of Aragon, and like hundreds of Spanish towns during the Civil War, its anarcho-syndicalist collective issued its own emergency fractional currency when coinage disappeared from circulation almost entirely after July 1936. These colectividad notes were locally produced — often on whatever card stock or heavy paper was available — with no central oversight and highly variable print quality. The CNT-affiliated collectives that ran much of Aragonese agriculture and commerce during 1936–1938 treated these small-denomination pieces as purely functional instruments to keep internal trade moving.
Surviving examples from tiny Aragonese villages like Pomar de Cinca are genuinely scarce; production runs were small, most wore out quickly, and the Francoist suppression of the collectives in 1938 ensured few were preserved intentionally.