Catalog
| Issuer | Kayes, City of |
|---|---|
| Year | 1920 |
| Type | Emergency coin |
| Value | 25 Centimes (0.25) |
| Currency | Franc (1795-1945) |
| Composition | Aluminium |
| Weight | 1.5 g |
| Diameter | 27.5 mm |
| Thickness | 1.2 mm |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Lec#3, GadCol#3, El Mon.#10.3 |
| Obverse description | Boat and Anchor |
|---|---|
| Obverse script | Latin |
| Obverse lettering | HAUT-SÉNÉGAL.NIGER J. BORY 1920 |
| Reverse description | Facial value in a grenetis surrounded by the legend. |
| Reverse script | Latin |
| Reverse lettering | CHAMBRE DE COMMERCE 25c · KAYES · |
| Edge | Plain. |
| Mint |
J.BORY J. Bory, Paris, France |
| Mintage |
1920 - - |
| Numisquare ID | 6751223000 |
| Additional information |
Historical Context: The 25 Centimes Kayes of 1920 emerges from the specific economic exigencies of French West Africa post-World War I. Kayes, a pivotal administrative and railway hub in what is now Mali, faced a chronic shortage of small denomination currency. Issued by the city, this coin represents a localized response to the broader colonial monetary system, where metropolitan French currency was often scarce. Its creation underscores the economic autonomy granted to significant colonial centers and their need for a stable circulating medium.
Artistry: The design of the 25 Centimes Kayes is characterized by its utilitarian and functional aesthetic, typical of necessity coinage of its era. While the engraver remains anonymous, the stylistic school prioritizes clarity and directness. The obverse prominently features the issuer, "VILLE DE KAYES," alongside the denomination "25 CENTIMES" and the year "1920." The reverse typically maintains this simplicity, often displaying a central star or basic ornamental motif, reinforcing its functional purpose.
Technical/Grading: Struck in aluminium, a relatively soft metal, this coin measures 27.5 mm and weighs 1.5 grams, indicating a thin flan. Key high-points susceptible to wear include the raised lettering of the city name and denomination, and any central design element. Due to the material and manufacturing techniques, strike quality can vary, often presenting minor planchet imperfections or areas of weakness, particularly near the rim. Even light circulation results in significant surface abrasion and detail loss.