Danh mục
| Đơn vị phát hành | Numidia |
|---|---|
| Năm | 118 BC - 112 BC |
| Loại | Standard circulation coin |
| Mệnh giá | |
| Tiền tệ | Eastern Numidia from Micipsa`s death to the Roman annexation (118 BC-46 BC) |
| Chất liệu | Bronze |
| Trọng lượng | 12.2 g |
| Đường kính | 25 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | SNG Copenhagen#498 |
| Mô tả mặt trước | Diademed and bearded head left. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Horse prancing left; star above, pellet below. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (118 BC - 112 BC) - - |
| ID Numisquare | 1648736480 |
| Thông tin bổ sung |
Historical Context: This Æ25 coin, issued by Adherbal (118-112 BC), is a numismatic testament to a turbulent era in Numidian history. As Micipsa's son, Adherbal inherited a kingdom plagued by dynastic tensions with his cousin, Jugurtha. His brief rule was marked by internal conflict and appeals to Rome, culminating in his tragic defeat and execution. These bronzes affirm Adherbal's legitimate claim amidst the escalating civil war that preceded the Jugurthine War, providing tangible evidence of his authority during a period of immense instability.
Artistry: While the engraver is anonymous, this coin reflects the Punic-Hellenistic artistic traditions prevalent in Numidian minting. The obverse typically features a stylized, often diademed or laureate, portrait of King Adherbal, blending Hellenistic royal iconography with local aesthetics. The reverse commonly depicts a horse or equestrian figure, a potent symbol deeply rooted in Numidian culture, representing the kingdom's identity and military strength. The overall design balances regal authority with indigenous motifs, characteristic of the era's regional coinage.
Technical/Grading: Struck in bronze, weighing 12.2 grams and measuring 25 millimeters, this issue is a substantial denomination for its time. Key high-points for grading include the highest relief areas of the obverse portrait (hair, diadem, facial features) and the reverse (horse's mane, rider, ground line). Numidian bronzes often show variability in strike quality; some examples are well-centered with strong details, others may exhibit slight off-centering or weaker strikes towards the flan edges, due to the ancient hand-striking process.