Katalog
| İhraççı | Kallatis |
|---|---|
| Yıl | 300 BC - 101 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 8.17 g |
| Çap | 23 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG Copenhagen#178 |
| Ön yüz açıklaması | Head of Dionysos right, wearing ivy wreath. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Monogram inside ivy wreath. |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΚΑΛΛΑ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (300 BC - 101 BC) - - |
| Numisquare Kimliği | 8273412220 |
| Ek bilgiler |
Historical Context: This Æ23 bronze coin was issued by Kallatis, a significant Greek city-state on the Pontic coast, during the Hellenistic period (300-101 BC). Situated in modern-day Romania, Kallatis thrived as a vital trade emporium, frequently navigating the complex political landscape shaped by Alexander the Great's successors. Bronze coinage like this was fundamental for daily transactions and local economies, reflecting the city's continuous commercial activity and its need for small denominations to facilitate trade within its sphere of influence.
Artistry: While the specific engraver remains anonymous, typical for bronze issues of this era, the coin exemplifies the Hellenistic Greek stylistic school. Designs from Kallatis commonly feature deities such as Apollo, Hermes, or Dionysus on the obverse, rendered with the characteristic idealism and vigor of Hellenistic art. The reverse usually displays a civic symbol or monogram, serving as a clear identifier for the issuing authority and reinforcing local religious or cultural affiliations. Artistic execution, though often less refined than silver, aimed for clear legibility.
Technical/Grading: This Æ23, weighing 8.17 grams and measuring 23 millimeters, represents a common fabric for Hellenistic bronze. High-points for wear typically include the highest relief areas, such as the hair, forehead, and nose on the obverse portrait, and any raised elements on the reverse device. Technical strike qualities on bronze issues can vary significantly; off-center strikes, planchet imperfections, and weakness at the peripheries are not uncommon. Collectors should assess overall preservation, patination, and clarity of central design elements for grading.