Каталог
| Эмитент | Aigeai |
|---|---|
| Год | 130 BC - 77 BC |
| Тип | Standard circulation coin |
| Номинал | |
| Валюта | Drachm |
| Состав | Bronze |
| Вес | 7.91 g |
| Диаметр | 21.0 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | SNG France#2288 |
| Описание аверса | Turreted head of Tyche right |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Forepart of bridled horse left. |
| Письменность реверса | Greek |
| Надписи реверса | ΑΙΓΕΑΙΩΝ |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (130 BC - 77 BC) - - |
| ID Numisquare | 4840950800 |
| Дополнительная информация |
Historical Context: This Æ21 bronze coin, issued by the city of Aigeai in Aeolis between 130 BC and 77 BC, reflects a complex period in Asia Minor. During this era, Aigeai, while part of the Roman province of Asia, largely retained its civic autonomy, particularly in the production of local bronze coinage. These issues, typically lacking a monarch's portrait, underscored the authority of the city's magistrates and council, serving essential local economic functions and affirming Aigeai’s distinct identity amidst the consolidating Roman presence and the tumultuous backdrop of the Mithridatic Wars.
Artistry: The anonymous die engraver responsible for this Aigeai Æ21 operated within the established Hellenistic stylistic tradition, which favored a blend of naturalism and idealization. While specific iconographic details are not provided, Aigeai’s coinage frequently featured prominent local deities such as Zeus or Athena, or the city's eponymous goat, rendered with a robust, often somewhat provincial interpretation of classical models. The artistry aimed to convey civic pride and religious reverence through recognizable and locally significant imagery, appropriate for a widely circulating bronze denomination.
Technical/Grading: Weighing 7.91 grams and measuring 21.0 millimeters, this Æ21 coin represents a standard civic bronze issue for its time and place. A well-preserved example would typically exhibit a relatively centered strike, although minor irregularities in flan shape and planchet preparation are common. High-points, which are usually the first areas to show wear, would include the hair and prominent facial features of the obverse portrait, or the central elements of the reverse device. The quality of the bronze alloy and the condition of the dies significantly influenced the sharpness of details and overall surface preservation.