目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Portrait vignette of Francisco de Oliveira Chamiço at centre, flanked by the seal of the Banco Nacional Ultramarino. The denomination is displayed centrally within an elaborate guilloche underprint, with the Portuguese National Coat of Arms positioned below. Inscriptions in Portuguese identify the issuing bank, province, and denomination. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central vignette of a seated allegorical female figure, rendered in intaglio against a background of ships at sea in the distance. The denomination 2$50 appears in large numerals at left and right within ornate guilloche panels, with the bank title arching across the upper portion of the design in bold letterpress. A fine lace-like guilloche border frames the entire composition. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Banco Nacional Ultramarino served as the colonial note-issuing authority across Portuguese overseas territories, and this 2½ Escudo denomination — an awkward fraction that reflects the transitional arithmetic of the 1911 Republican monetary reform, which set 1000 Réis equal to 1 Escudo — was printed by Bradbury Wilkinson at their New Malden works in Surrey. The fraction persisted in circulation long after it created practical inconvenience, largely because the Portuguese Treasury was slow to mint adequate coinage for the lower denominations.
Pick 56 likely served multiple territories under BNU's remit, though the specific overprint or place-of-payment text determines which colonial market received any given example.