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| Uitgever | Chad |
|---|---|
| Jaar | 2016 |
| Type | Log in om details te zien |
| Waarde | 20000 Francs CFA |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | REPUBLIQUE DU TCHAD UNITE TRAVAIL PROGRES 20000 FRANCS CFA (Translation: Republic of Chad Unity Work Progress) |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This piece belongs to a wave of African nation-issued bullion and collector gold that proliferated in the 2010s, where sovereign minting rights held by countries like Chad — whose actual currency is managed by the Banque des États de l'Afrique Centrale — were licensed to European private minting houses, principally in Germany and Austria, with the issuing country receiving a fee and the coins sold directly to international collectors rather than ever circulating in Africa. The Nefertiti subject has no historical connection to Chad whatsoever; the bust belongs to 18th Dynasty Egypt and has been housed in Berlin's Neues Museum since 1913.
The 155.5g fine gold specification corresponds to a standard 5-troy-ounce planchet.