Catalogus
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| Uitgever | People's Republic of China |
|---|---|
| Jaar | 1998 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Gold (.999) |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Chinese |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Chinese |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The "Vault Protector" series drew on the tradition of menshen — door-guardian deities whose images were plastered or carved at thresholds to ward off malevolent spirits, a practice documented in Tang court records and deeply embedded in popular religion long before and after that dynasty. The choice of Tang framing was deliberate: by the late 1990s, Chinese state minting policy increasingly used Tang-period cultural references to project a unified, cosmopolitan imperial heritage.
At one kilogram of .999 gold, this piece belongs to a category of Chinese commemorative issues from the late 1990s where mintages were kept extremely low — often in the low hundreds — and primary buyers were institutional and overseas Chinese collectors rather than domestic circulation channels.