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200 Pesos Uruguayos
| Uitgever | Banco Central del Uruguay |
|---|---|
| Jaar | 2011 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Intaglio portrait of painter Pedro Figari at center right, rendered in dark brown tones against a fine guilloche underprint in rose and green hues; the national coat of arms appears at center left within the watermark zone, accompanied by a vignette of a butterfly and floral motif with two facsimile signatures below. Denomination numeral $200 appears at upper right within a holographic disc, with the legend DOSCIENTOS in a dark panel at lower center and the name PEDRO FIGARI inscribed on a decorative band beneath the portrait. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Full-color reproduction of Pedro Figari's painting Baile Antiguo occupies the left half of the note, portraying an elegant 19th-century ballroom scene with couples in period dress beneath chandeliers and golden wall panels. To the right, a vignette of an artist's palette and brushes within a laurel wreath is set against a fine guilloche background, with the bank title and denomination panel below. The printer's imprint DE LA RUE appears at lower right. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 200 Pesos Uruguayos denomination was introduced as part of Uruguay's 2008–2011 series redesign, which shifted the currency away from the historical figures that had dominated earlier issues toward a thematic approach organized around biodiversity and national geography. De La Rue's London plant handled production throughout the series, consistent with Uruguay's long-standing relationship with the printer dating back several decades.
P#89 is the second signature variety of the denomination. Worth checking: early examples of this series occasionally show minor registration misalignment on the holographic strip, a known but not catalogued production inconsistency.