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200 Mil Réis Thesouro Nacional, 8th. Print
| Emittent | Thesouro Nacional (National Treasury of Brazil) |
|---|---|
| Jahr | 1897 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | American Bank Note Company, New York, United States |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Black intaglio on polychrome lithographic underprint. At centre, a vignette of a seated female figure holding a shield and spear, set within a decorative panel. |
| Rückseitenlegende | REPÚBLICA 200 MIL RÉIS 200 MIL RÉIS DOS ESTADOS UNIDOS DO BRAZIL AMERICAN BANK NOTE COMPANY, NEW YORK (Translation: Republic of the United States of Brazil Two Hundred Thousand Reis American Bank Note Company, New York) |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Brazil's National Treasury turned to the American Bank Note Company repeatedly through the late nineteenth century, and this 1897 200 Mil Réis is one of the later products of that relationship — the "8th Print" designation reflecting successive contract printings of what was essentially the same plate design reissued across years of fiscal turbulence. The 1890s were not kind to Brazilian public finance: the Encilhamento speculation bubble had already burst, inflation had gutted confidence in paper currency, and the treasury was running successive deficits under the early República.
The ABNC's New York engraving quality stands well above what domestic presses could produce at the time, which is partly why the government kept returning to them despite the cost and the optics of printing national currency abroad.