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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | 200 200 200 REPUBLICA DOS ESTADOS UNIDOS DO BRASIL A CAIXA DE ESTABILIZAÇÃO PAGARÁ AO PORTADOR, Á VISTA, NO RIO DE JANEIRO, EM OURO CONFORME A LEI N.5108, DE 18 DE DEZEMBRO DE 1926, A QUANTIA DE 200 200 200 DUZENTOS MIL REIS 200 VALOR RECEBIDO EM OURO 200 200 AMERICAN BANK NOTE COMPANY. (Translation: Republic of the United States of Brazil The Stabilization Fund will pay to the carrier, In sight, In Rio de Janeiro, in gold according to law N.5108, of December 18, 1926, the amount of Two Hundred Thousand Réis Amount Received in gold American Bank Note Company.) |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | P#107a(1) - Getúlio Vargas and Irineu Machado P#107a(2) - Getúlio Vargas and Afrânio de Melo Franco P#107a(3) - José Maria Whitaker and Afrânio de Melo Franco P#107a(4) - José Maria Whitaker and Otávio Mangabeira P#107a(5) - Oswaldo Aranha and Otávio Mangabeira P#107a(6) - José Maria Whitaker and Oswaldo Aranha |
| コメント |
The Caixa de Estabilização was Brazil's short-lived currency stabilization board, established in 1926 under President Washington Luís as part of an effort to peg the milréis to gold at a fixed rate. These notes were backed by gold reserves and convertible on demand — an arrangement that collapsed within four years when the 1929 crash drained those reserves and the board was dissolved in 1930.
Engraving credit to Sukeichi Oyama at ABNC is worth noting: a Japanese-American craftsman working at a time when such attribution was rarely documented. The reverse design draws from Victor Meirelles, the 19th-century Brazilian academic painter, making this a rare case of a national fine-art source adapted posthumously for intaglio reproduction on currency.