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200 Francs 9th series
| Uitgever | Swiss National Bank |
|---|---|
| Jaar | 2016-2019 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Manuela Pfrunder |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | The obverse is dominated by a large intaglio-printed hand reaching upward from the lower centre, with three coordinate axes (x, y, z) radiating from the palm to evoke scientific inquiry and the theme of scientific knowledge. Behind the hand, a green globe rendered in fine guilloche linework occupies the lower right, while an outline map of Switzerland appears at lower left. The denomination numeral "200" is printed in large brown letterpress figures at the foot of the note, above the bilingual bank name in German and Romansh. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Embedded security thread with demetallized text visible when held to light; watermark integrated into the Durasafe substrate; color-shifting numeral ink on denomination figures; microprinting in fine underprint bands; UV-reactive fibres and patterns visible under ultraviolet light; intaglio-raised tactile print on main design elements for visually impaired users |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 9th series was the first Swiss issue printed on Durasafe, a hybrid substrate developed by Landqart combining a polymer core with paper outer layers — it behaves like paper in the hand but resists tearing and moisture far better. Switzerland adopted it partly in response to counterfeiting pressure on the 8th series, which had run from 1995 and was increasingly targeted by mid-quality reproduction attempts by the 2010s.
Manuela Pfrunder's design commission was deliberately open-ended; the SNB moved away from portrait-based iconography entirely for this series, an unusual choice among European central banks. The 200-franc denomination is the highest-value note in regular Swiss circulation.