Catalogus
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| Uitgever | Netherlands |
|---|---|
| Jaar | 1999 |
| Type | Fantasy coin |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | BERLIN 1999 JOHANN WOLFGANG VON GOETHE 1749 - 1832 |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Issued to mark the transfer of the European Central Bank's headquarters to Frankfurt, this piece was produced by the Royal Dutch Mint as a prestige collector's item at the moment the Netherlands surrendered monetary policy to the newly formed ECB — a politically charged transition that Queen Beatrix publicly supported despite significant domestic skepticism about the euro project. The kinebar inlay, a trademarked gold-bonded technology developed by Argor-Heraeus, was a deliberate prestige flourish rather than a monetary necessity.
The X# prefix in the Krause catalog designates it as a non-circulating fantasy or bullion issue outside standard national series.