カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The central vignette presents an engraved panoramic view of Wawel Castle in Kraków, flanked by two standing allegorical figures: at left, a male figure holding architectural instruments, symbolising industry or science; at right, a draped female figure resting on a globe and scroll, symbolising the arts or learning. The denomination DWADZIEŚCIA ZŁOTYCH appears in bold letterpress at the top, while the lower centre carries the legal tender inscription within a cartouche bearing the Bank Polski monogram, with the numeral 20 repeated at lower left and right within guilloche ovals. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The 1936 series was Bank Polski's last prewar overhaul before the German invasion rendered the entire currency infrastructure irrelevant. Borowski's designs for this series were widely regarded as among the more accomplished Polish banknote work of the interwar period, and Vacek's intaglio engraving gave the series a crispness that offset printing couldn't achieve. PWPW had been producing security documents since 1919, and by 1936 had genuine technical confidence.
A print run just over 12 million is not especially large for a mid-denomination note intended for broad circulation. Notes that survived September 1939 often circulated under occupation anyway — the Germans initially permitted continued use of zloty-denominated notes through the Bank Emisyjny w Polsce from 1940.