Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Central Bank of the Democratic People's Republic of Korea |
|---|---|
| Year | 2010 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Third Won (2009-date) |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | 조선민주주의인민공화국 중앙은행 20 원 (Translation: Central Bank of Democratic People`s Republic of Korea 20 Won) |
| Reverse description | The aluminium centre presents a detailed elevated view of the Rungrado May Day Stadium in Pyongyang, the world's largest stadium by capacity, depicted with its distinctive petal-shaped roof structure rendered in high relief against a mirror-polished field. The legend 'MAY DAY STADIUM' arches across the upper portion of the centre field, with 'ARIRANG' inscribed below the stadium motif. A city skyline and cable-stayed bridge are visible in the background. The brass outer ring bears the legend 'MASS GYMNASTIC AND ARTISTIC PERFORMANCE' running clockwise along the upper periphery, with the date '2010' prominently placed at the base. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
North Korea's bimetallic coinage from this period was produced primarily for the collector export market rather than domestic circulation — hard currency from foreign numismatists being considerably more valuable to Pyongyang than any face value these pieces might carry internally. The subject matter was similarly curated for outside consumption, with stadium imagery tied to the country's carefully managed international sporting presence.