20 Santimu

Emitent Latvia
Rok 1922
Typ Standard circulation coin
Hodnota 20 Santimu (0.20)
Měna Old lats (1922-1940)
Složení Nickel
Hmotnost 4.00 g
Průměr 21 mm
Tloušťka 1.6 mm
Tvar Round
Technika Milled
Orientace Medal alignment ↑↑
Rytci Rihards Zariņš
V oběhu do 25 March 1941
Reference KM#5, Schön#5
Popis líce Latvian shield separates date above ribbon
Písmo líce Latin
Opis líce 19 22 LATVIJA HUGUENIN
Popis rubu Large denomination with wheat sprigs below
Písmo rubu Latin
Opis rubu 20 Santimu R. ZARRINS
Hrana Plain
Mincovna
Náklad 1922 - - 15 000 000
ID Numisquare 4765141540
Další informace

Historical Context: The 1922 20 Santimu coin was issued by the newly independent Republic of Latvia, a nation forging its identity after the tumultuous Latvian War of Independence (1918-1920). This era marked the establishment of a sovereign state following centuries of foreign rule. The introduction of the Santimu and Lats currency system in 1922 was a cornerstone in solidifying Latvia's economic autonomy and national sovereignty, replacing provisional currencies and underscoring the young republic's commitment to stability and self-determination.

Artistry: The design of this 20 Santimu coin is attributed to the renowned Latvian artist Rihards Zariņš (Richard Zarrins), a pivotal figure in Latvian numismatic art. His work often blends elements of Art Nouveau (Jugendstil) with a strong sense of national romanticism, drawing inspiration from Latvian folk art and symbolism. The obverse proudly displays the greater coat of arms of Latvia, symbolizing the unity of its historical regions. The reverse features the denomination "20 SANTIMU" and the year "1922" encircled by a wreath of oak leaves, a national symbol representing strength and longevity.

Technical/Grading: Struck in nickel with a diameter of 21 mm and weighing 4.00 grams, the 20 Santimu exhibits good strike potential. Key high-points for wear and strike quality on the obverse include the raised elements of the coat of arms, specifically the three stars, the lion's mane, and the griffin's head and wings. On the reverse, the highest points are the lettering of the denomination and the intricate details of the oak leaf wreath. Well-struck examples will display sharp definition in the heraldic devices and the fine venation of the leaves, with field luster often present in uncirculated grades.

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