Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!

20 Roubles The Nutcracker

Uitgever National Bank of the Republic of Belarus
Jaar 2009
Type Non-circulating coin
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde РЭСПУБЛIКА БЕЛАРУСЬ 2009 ДВАЦЦАЦЬ РУБЛЁЎ
(Translation: THE REPUBLIC OF BELARUS 2009 TWENTY RUBLES)
Beschrijving keerzijde The reverse presents a richly detailed scene inspired by E.T.A. Hoffmann's tale of The Nutcracker, featuring the armored Nutcracker figure at left in high relief, with decorative baroque scrollwork and battle imagery surrounding him. To the right, the face of Marie (Clara) is rendered in fine detail, her long hair flowing downward. A single inlaid synthetic emerald-green crystal is set into the Nutcracker's breastplate, providing a vivid chromatic accent against the oxidized silver field. The legend ШЧАЎКУНОК is inscribed along the lower portion of the field in Cyrillic characters.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Belarus issued a long-running series of collector coins tied to ballet productions staged at the Bolshoi Theatre in Minsk, and this piece belongs to that program. The Nutcracker's inclusion reflects the outsized cultural weight the ballet carries in post-Soviet states, where it remained a fixture of state theatre repertoires throughout the Soviet period and beyond — less a holiday novelty than a year-round institutional production.

The oxidized finish combined with an applied synthetic crystal was a deliberate production choice to add dimensional interest, a technique the Belarusian mint leaned on heavily for its numismatic issues during this period.

MISSCHIEN OOK INTERESSANT