Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Central Bank of Yemen |
|---|---|
| Year | 1995 |
| Type | Standard circulation banknote |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Central vignette of an ancient Dionysus sculpture with grape clusters, rendered in intaglio. The composition is framed by guilloche underprint work in multiple colours, with the denomination numeral and Arabic inscriptions positioned within the decorative border. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Yemen's 1995 unification period saw the Central Bank issuing notes that had to function credibly across a population that had used two entirely separate currency systems — the Yemeni Rial of the north and the Yemeni Dinar of the south — since reunification in 1990. The 20 Rial denomination sat at the lower end of practical daily use, where counterfeiting pressure is typically highest and security investment lowest. De La Rue's specification here reflects that calculus: watermark only, no security thread.
Pick 25 runs through several date variants; authentication hinges on the watermark registration, which on genuine examples aligns tightly with the printed design field.