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20 Piso Seal type 4
| Emittent | Bangko Sentral ng Pilipinas |
|---|---|
| Jahr | 1986-1993 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Piso (1967-date) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | A front-facing portrait vignette of President Manuel L. Quezon occupies the left centre of the note, rendered in intaglio against a fine guilloche underprint. To the right, the coat of arms of the Commonwealth of the Philippines is accompanied by symbolic elements referencing the Wikang Pambansa (National Language) and the Saligang Batas 1935 (1935 Constitution), underscoring Quezon's legacy as a founding statesman. The dominant colour scheme is orange-red, with denomination numerals appearing at the upper corners and lettering in Tagalog running along the lower register. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Seal Type 4 designation marks a transitional moment in BSP note production — the bank's official seal was modified several times across the 1970s–90s series, and distinguishing between types requires close attention to the fine lettering around the seal's perimeter rather than any dramatic design change. This particular seal variant spans the Aquino and early Ramos administrations, a period when the Philippines was slowly stabilizing after the fiscal chaos of the final Marcos years, during which the peso had lost roughly half its dollar value.
Angel Cacnio, the BSP's in-house designer for much of this era, produced work that rarely gets the credit it deserves in numismatic literature.