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20 Piastres
| Emittent | Banque de l'Indochine |
|---|---|
| Jahr | 1936-1939 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Banque de France, France |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Central intaglio vignette of a helmeted female figure representing Athena in three-quarter view, raising an olive wreath aloft with both hands, with a second fully armoured Athena figure visible in the left background. VINGT PIASTRES is set in large letterpress text at upper left, flanked by serial number and prefix at lower left and upper right, with the anti-counterfeiting penalty clause in small text at lower left. Facsimile signature lines for Le Président and Le Directeur Général appear along the lower margin, with engraver credits reading SÉB. LAURENT FEC. E. DELOCHE - J. PIEL SC. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | GIẤY HAI CHỤC ĐỒNG VÀNG SÉB. LAURENT FEC. RITA SC. |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banque de l'Indochine operated as a private colonial bank with note-issuing privileges across French Indochina — a legal arrangement that persisted well past the point where most colonial powers had centralized such authority. This 20 Piastres issue was produced by the Banque de France in Paris, a printing relationship that gave the notes a technical quality far above what colonial administrations typically arranged through commercial security printers.
The Deloche and Piel engraving credits on the obverse plate reflect the Banque de France's in-house atelier, one of the most accomplished intaglio workshops in the world at the time. Marguerite Dreyfus, known professionally as Rita, handled the reverse — her name appears across multiple Banque de France colonial commissions from this period.
Two signature combinations are documented for circulating examples: De la Chaume & Baudouin appears on specimens only.