See full images — free registration
Continue with Google — it's free or register with email

20 Piastres

Issuer Banque de l'Indochine
Year 1936-1939
Type Standard circulation banknote
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse lettering BANQUE DE L'INDOCHINE VINGT PIASTRES L'ARTICLE 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCÉS CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETS DE BANQUE AUTORISÉES PAR LA LOI SÉB. LAURENT FEC. E. DELOCHE - J. PIEL SC.
Reverse description Central intaglio vignette of a helmeted Athena holding an olive wreath, flanked by stone lion guardian statues on columned plinths, with a detailed architectural vignette of Angkor Wat temple occupying the right portion of the composition. Chinese and Khmer script denominations are arranged vertically at right, while the Vietnamese inscription appears in a cartouche along the lower margin. The entire design is enclosed within decorative guilloche and foliate architectural borders, with the engraver credit RITA SC. in the lower margin.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Banque de l'Indochine operated as a private colonial bank with note-issuing privileges across French Indochina — a legal arrangement that persisted well past the point where most colonial powers had centralized such authority. This 20 Piastres issue was produced by the Banque de France in Paris, a printing relationship that gave the notes a technical quality far above what colonial administrations typically arranged through commercial security printers.

The Deloche and Piel engraving credits on the obverse plate reflect the Banque de France's in-house atelier, one of the most accomplished intaglio workshops in the world at the time. Marguerite Dreyfus, known professionally as Rita, handled the reverse — her name appears across multiple Banque de France colonial commissions from this period.

Two signature combinations are documented for circulating examples: De la Chaume & Baudouin appears on specimens only.