查看完整图片 — 免费注册
使用Google继续 — 免费 或用邮箱注册

20 Piastres

发行方 Banque de l'Indo-Chine
年份 1905-1907
类型 登录 以查看详情
面值 登录 以查看详情
货币 登录 以查看详情
材质 登录 以查看详情
尺寸 登录 以查看详情
形状 登录 以查看详情
印刷机构 登录 以查看详情
设计师 Designers: Alfred-Henri Bramtot, Georges Duval
雕刻师 登录 以查看详情
流通至 登录 以查看详情
参考资料 登录 以查看详情
正面描述 Tall vertical format with elephant columns flanking the left and right margins, reclining allegorical female figures accompanied by an ox and a tiger at the bottom centre vignette. The face carries extensive intaglio-engraved text with decree references and place of issue, with the denomination stated as VINGT PIASTRES, and the engravers' and designers' credits rendered in small letterpress below the central design.
正面铭文 登录 以查看详情
背面描述 登录 以查看详情
背面铭文 貳拾元 東方匯理銀行 銀貳拾元 見字交銀 奉本國特諭 兌銅
签名 登录 以查看详情
防伪类型 登录 以查看详情
防伪描述 登录 以查看详情
变体 登录 以查看详情
备注

Banque de France took on production of the Indochina series in this period — an unusual arrangement, given that the BdF's primary mandate was domestic French currency. The involvement of Bramtot and Duval as designers, with Wullschleger handling the engraving, brought the full weight of metropolitan fine-line intaglio technique to a colonial instrument. Wullschleger's work for the BdF during this period was consistently among the most technically demanding in European banknote engraving.

The Banque de l'Indo-Chine had held its note-issuing privilege since 1875, renewed periodically under terms negotiated with the French state. By 1905 the piastre had already weathered two decades of silver price volatility that repeatedly disrupted its relationship to the franc.