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20 Mil Réis Thesouro Nacional, 5th print
| Emittent | Thesouro Nacional |
|---|---|
| Jahr | 1867 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Intaglio-printed note in black and green on white paper, with the Imperial Arms of Brazil at right and a bust portrait of Emperor D. Pedro II at left, both rendered in fine line engraving. A central allegorical vignette of Commerce occupies the upper register, flanked by the denomination numeral "20" repeated at each corner. The face value and serial number are typographically printed, with an order number applied by handstamp. |
|---|---|
| Vorderseitenlegende | 20 20 VINTE 20 20 IMPERIO DO BRASIL Série 1a. 20$000 NO THESOURO NACIONAL SE PAGARÁ AO PORTADOR DESTA A QUANTIA DE VINTE MIL REIS VALOR RECEBIDO 20 VINTE 20 VINTE 20 (Translation: 20 Twenty Empire of Brazil At the National Treasury will be paid to bearer of this the amount of Twenty Thousand Reis Amount received Twenty 20) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Perkins, Bacon & Petch had been supplying security printing to Brazil since the 1840s, and by the time this fifth print was commissioned the relationship was well-established enough that the Treasury was essentially reordering from proven plates rather than redesigning. The "5th print" designation matters more than it might seem — successive print orders for the same design often involved subtle plate recutting or paper changes, and distinguishing them requires attention to the numbering sequences and paper stock rather than the face imagery alone.
Brazil was still an empire in 1867, and the Paraguayan War was bleeding the Treasury heavily. Emergency borrowing and note issuance ran in parallel that year.