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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | 20 VINTE 20 VINTE 20 VINTE 20 IMPERIO DO BRASIL Série 1a. 20$000 NO THESOURO NACIONAL SE PAGARÁ AO PORTADOR DESTA A QUANTIA DE VINTE MIL REIS VALOR RECEBIDO 20 VINTE 20 VINTE 20 VINTE 20 (Translation: 20 Twenty Empire of Brazil At the National Treasury you will pay bearer of this the amount of Twenty Thousand Reis amount received Twenty 20) |
| 裏面の説明 | The reverse is entirely unprinted, left as plain white paper stock consistent with Brazilian Imperial-era Treasury issues of this period. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Brazil's Thesouro Nacional turned to Perkins, Bacon & Petch at a moment when the firm's steel-engraved intaglio work was the global benchmark for anti-counterfeiting security — the same London house had produced early postage stamps for Britain and numerous colonial note series. The "4th print" designation marks this as one of several sequential print runs commissioned against the same basic plate design, a procurement approach Brazil used repeatedly during the mid-century period when domestic printing capacity was inadequate for secure currency production.
Mil réis denominations of this era circulated under persistent inflationary pressure; the 1850s saw ongoing debate in Rio de Janeiro over whether the Thesouro Nacional or the Banco do Brasil should hold primary note-issuing authority — a dispute that shaped how these Treasury notes were positioned and retired.