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20 Mark
| Uitgever | Kreisausschuss des Kreises Steinburg (District Committee of Steinburg) |
|---|---|
| Jaar | 1918 |
| Type | Local banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
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| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | NOT BRICH EISEN ABER KEINE MÄNNER DIE HARREN ANWEISUNG AUF DEN KREIS STEINBURG ÜBER ZWANZIG MARK DIESE ANWEISUNG VERLIERT IHRE GÜLTIGKEIT, WENN SIE NICHT INNERHALB 4 WOCHEN NACH ERFOLGTER ÖFFENTLICHER AUFFORDERUNG IN DEN TAGESZEITUNGEN DES KREISES ZUR EINLÖSUNG AN DEN NOCH BEKANNT ZU GEBENDEN STELLEN VORGELEGT WIRD. ITZEHOE, 12. NOV. 1918 DER KREISAUSSCHUSS DES KREISES STEINBURG: GEDRUCKT: J.J. AUGUSTIN IN GLÜCKSTADT. GEZ. WENZ. AUG. HABLIK. |
| Beschrijving keerzijde | The reverse is printed entirely in dark brown on cream paper in a bold Art Nouveau woodcut style. Two horizontal decorative panels at top and bottom each contain four ornamental vignettes — circular medallions with stylised leaf or flame motifs at the corners — flanking a central grid pattern formed by repeated interlocking numerals '20'. Between the two panels, the issuer name 'KREIS STEINBURG' is set in large, bold rounded Gothic lettering that occupies the full width of the note. |
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| Handtekening(en) | Log in om details te zien |
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| Opmerkingen |
Steinburg's 1918 emergency issue belongs to the vast wave of German Notgeld produced as the imperial financial system buckled under wartime strain. What sets it apart is the designer: Wenzel August Hablik, the Czech-born Expressionist and utopian architect based in Itzehoe, who was simultaneously producing visionary crystalline architectural fantasies and, apparently, district banknote artwork. His involvement suggests the Kreisausschuss had access to genuine local artistic talent rather than defaulting to a commercial stock design.
J. J. Augustin in Glückstadt — a long-established scholarly and regional press — handled production, a practical choice given the printer's proximity to the issuing district.