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20 Kronen

Uitgever Oesterreichisch-ungarische Bank
Jaar 1913
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) P#14
Beschrijving voorzijde German-language face of the note, bearing the overprint 'II. AUFLAGE' (2nd Edition) in a rectangular frame at lower left, applied over the original P#13 design. The left half carries a vignette of a young woman in three-quarter portrait set within an ornate cartouche framed by the large numeral '20' on either side, with a guilloche underprint throughout. The right half bears the issuer's text in German, 'ZWANZIG KRONEN', the date '2. JÄNNER 1913', the place of issue 'WIEN', and the denomination repeated in multiple languages along the lower panel, with three manuscript signatures below the issuer name.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde II. KIADÁS
(Translation: 2nd edition)
HUSZ KORONA
TÖRVÉNYESÉRCPÉNZT
BÉCS 1913 JANUÁR 2-ÁN
AZ OSZTRÁK-MAGYAR BANK E JEGYEK ÉRTÉKÉT SAJÁT BÉCSI ÉS BUDAPESTI FŐINTÉZETEINÉL
OSZTRÁK-MAGYAR BANK
A BANKJEGYEK UTÁNZÁSA A TÖRVÉNY ÁLTAL BÜNTETTETIK
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Oesterreichisch-ungarische Bank's 1913 20 Kronen belongs to a series that was already obsolete by design before it could settle into ordinary commerce. Austria-Hungary's dissolution in 1918 meant these notes were suddenly the currency of a state that no longer existed, and the successor republics handled the situation with characteristic disorder — Czechoslovakia, Austria, and other successor states each stamped or perforated surviving notes to claim them as their own, creating a chaotic patchwork of overprinted examples that outnumber clean originals in many collections.

Unstamped examples in original condition are correspondingly harder to source.

MISSCHIEN OOK INTERESSANT