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| 表面の説明 | The obverse carries a central vignette of a reclining figure of Roma at the bottom centre, with a wolf nursing Romulus and Remus to the right, rendered in intaglio style typical of Banca d'Italia productions. A rectangular overprint at right replaces the original bank name with that of the Banka Kombëtare e Shqipnis, applied over the earlier P#7 note. Ornate guilloche borders frame the design, with denomination numerals at the corners. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is dominated by a large central vignette of the Albanian double-headed eagle, rendered in dark intaglio against a guilloche underprint. The denomination "NJIZET FRANGA" appears in a panel at the top and "VENTI FRANCHI" in a corresponding panel at the bottom, with the numeral 20 repeated in ornamental cartouches at each corner. Two circular blank medallions flank the eagle vignette, and a central rectangular tablet carries the anti-counterfeiting warning legend in both Albanian and Italian. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
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After the liberation of Albania in late 1944, the new communist-led provisional government inherited a chaotic currency supply — multiple occupation-era issues, Italian colonial notes, and the prewar Franga series all circulating simultaneously. Rather than print entirely new stock immediately, Banka e Shtetit Shqiptar applied overprints to existing inventory, including the earlier Banca Nazionale d'Albania 20 Franga (Pick 7), which had originally been produced in Rome during the Italian protectorate period.
The overprint transformed an instrument of occupation-era finance into nominally sovereign Albanian paper — a stopgap pending the 1947 monetary reform that abolished the Franga entirely in favor of the new Lek.