目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | Left-facing effigy of Marianne, the allegorical personification of the French Republic, rendered in high relief in the Art Deco style by engraver Pierre Turin. She wears a Phrygian cap adorned with a laurel wreath, her hair styled in tight curls visible at the neck. The legend REPUBLIQUE FRANÇAISE arcs along the upper rim, with the engraver's signature P. TURIN incused below the truncation of the bust. The field is plain and slightly convex, characteristic of piedfort striking, with a beaded border encircling the design. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | REPUBLIQUE FRANÇAISE P . TURIN (Translation: French Republic) |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Piéforts — struck at double or greater thickness on standard dies — were produced by the Monnaie de Paris primarily as presentation pieces and archival specimens rather than for any circulation purpose. The 1929 date falls within the interwar stabilization of the franc under the Poincaré reforms of 1926–28, when France returned to a de facto gold standard after the catastrophic depreciation of the early 1920s. That monetary reorganization prompted fresh coinage production, and piéforts of this period were typically retained by the mint's own archives or distributed to official recipients.
Surviving examples are genuinely rare. The .680 fine silver alloy is identical to the circulation strikes.