Catalogus
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| Uitgever | Morocco |
|---|---|
| Jaar | 1952 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Gold (.900) |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Arabic, Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | 1371 (1952) |
| Aanvullende informatie |
This piece was struck as a pattern (essai) in 1952, during the final turbulent years of French Protectorate authority over Morocco. Mohammed V had already begun consolidating nationalist sentiment around his person, and within three years the French would exile him to Madagascar — a miscalculation that backfired spectacularly, accelerating independence rather than suppressing it. Whether this pattern was ever seriously intended for circulation or simply produced as a monetary formality by the Paris Mint is unclear, but independence in 1956 rendered the question moot.