20 Francs

発行体 Algeria
年号 1949-1956
種類 Standard circulation coin
額面 20 Francs
通貨 Franc (1848-1959)
材質 Copper-nickel (75% Copper, 25% Nickel)
重量 5.45 g
直径 23.2 mm
厚さ 1.7 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Pierre Turin
流通終了年 15 September 1966
参考文献 KM#91, Schön#1, Lec#48, Lec#49
表面の説明 `Marianne` to the right
表面の文字体系 Latin
表面の銘文 REPUBLIQUE FRANÇAISE P. TURIN
(Translation: French Republic)
裏面の説明 The value above date, flanked by wheat ears, country name below
裏面の文字体系 Latin
裏面の銘文 20 FRANCS 1949 ALGERIE
(Translation: Algeria)
Reeded
鋳造所 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1949 - Lec# 48 - 25 556 400
1956 - Lec# 49 - 7 500 000
Numisquare ID 5547363290
追加情報

Historical Context: The 20 Francs coin, issued for Algeria between 1949 and 1956, encapsulates a pivotal era under the French Fourth Republic. As an integral part of the Union Française, Algeria was administered as French departments, yet this period was marked by escalating nationalist sentiments. The coin’s circulation coincided with the growing unrest that culminated in the Algerian War of Independence, beginning in 1954. It represents the final years of undisputed French colonial authority, preceding a decade of intense conflict and eventual decolonization.

Artistry: The design, originating from the Paris Mint, features a graceful gazelle on the obverse, rendered in a naturalistic yet stylized manner characteristic of post-war French medallic art. This motif symbolically connects to Algeria’s indigenous fauna and landscape. The reverse displays the denomination, the legend 'REPUBLIQUE FRANCAISE,' and 'UNION FRANCAISE,' clearly asserting its administrative ties to metropolitan France. The overall aesthetic is clean and functional, reflecting contemporary coinage trends of the period.

Technical/Grading: Struck in copper-nickel (75% Copper, 25% Nickel), this 5.45-gram, 23.2-millimeter coin typically exhibits a robust strike. Key high-points for grading include the gazelle’s horns, ears, and the definition of its musculature on the obverse. On the reverse, the sharp relief of the lettering and the wreath elements are crucial. Well-preserved examples will retain significant original luster, though the copper-nickel alloy can sometimes show minor planchet imperfections or toning variations. Weakness in the finer details of the gazelle's legs can occasionally be observed.

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