20 Francs

发行方 Madagascar
年份 1953
类型 Standard circulation coin
面值 20 Francs
货币 CFA franc (1945-1963)
材质 Aluminium bronze
重量 4 g
直径 23.2 mm
厚度 1.5 mm
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Lucien Georges Bazor
流通至
参考资料 KM#7, Lec#112
正面描述 Female personification of the French Republic, wearing winged Phrygian cap with French tricolor left. Cargo ships in background NOTE: The ESSAI on some coins is vertical behind the head and in front of FRANCAISE
正面文字 Latin
正面铭文 REPUBLIQUE FRANÇAISE L.BAZOR GB 1953
背面描述 Value above horns of a Zebu bull. Floral ornaments and native designs around. Map outline with sea waves above value
背面文字 Latin
背面铭文 20 FRANCS MADAGASCAR
边缘 Smooth
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1953 - - 15 000 000
Numisquare 编号 7310098470
附加信息

Historical Context: The 1953 20 Francs coin from Madagascar was issued during a pivotal period for the island, then an overseas territory within the French Union. Under the Fourth French Republic, these coins served to solidify French administrative and economic presence following World War II and the 1947 Malagasy Uprising. This issue reflects France's efforts to integrate its colonial territories into a unified monetary system, signaling a return to stability and reinforcing French sovereignty amidst burgeoning nationalist sentiments across its empire.

Artistry: The coin's design exemplifies the classical allegorical style prevalent in French numismatics of the mid-20th century. The obverse features the iconic Marianne, a national personification of France, sculpted by Pierre Turin, recognizable by her Phrygian cap. The reverse, designed by Lucien Georges Bazor, distinctly showcases a zebu head, an animal of profound cultural and economic significance to Madagascar, rendered with realistic lines. This juxtaposition of French symbolism with a distinct Malagasy motif highlights the territory's dual identity under French administration.

Technical/Grading: Struck in aluminium bronze, the 20 Francs coin generally exhibits good strike quality. Key high-points for wear and strike assessment on the obverse include the highest folds of Marianne's Phrygian cap and the intricate details of her hair. On the reverse, attention should be paid to the fine details of the zebu's horns, eyes, and the texture of its fur, which are often the first areas to show weakness. Well-preserved examples retain luster and sharp definition across all design elements, especially in the fields.

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