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20 Francs
| Emittent | Banque de l'Indochine |
|---|---|
| Jahr | 1941 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Banque de France, France |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Lilac-brown intaglio note based on the New Caledonia P-37 type, with a female portrait wearing a floral wreath at right, engraved by Ernest Deloche after Clément Serveau's design. A red oval overprint inscribed NOUVELLES HÉBRIDES / FRANCE LIBRE, incorporating palm trees and the Cross of Lorraine, distinguishes this issue for the New Hebrides. Bank name, denomination, and place of payment appear in letterpress above and below the central vignette. |
|---|---|
| Vorderseitenlegende | BANQUE DE L'INDOCHINE VINGT FRANCS PAYABLES EN ESPÈCES AU PORTEUR NOUMÉA CL. SERVEAU FEC. E. DELOCHE SC. (Translation: Bank of Indochina Twenty Francs Payable in cash to bearer Noumea) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
By 1941, Banque de France was printing currency for French Indochina under Vichy-era administrative arrangements, with the colony nominally under French control despite Japanese military occupation. This note was engraved by Ernest Deloche on the obverse and Marguerite Dreyfus — known professionally as Rita — on the reverse, the latter being one of the few women to hold a senior engraving position at the Banque de France during that period.
The Clément Serveau design credit on the obverse links this issue to a broader interwar series aesthetic he developed for French colonial notes through the 1930s and into the occupation years.