20 Fils

Emitent Jordan
Rok 1964-1965
Typ Non-circulating coin
Hodnota 20 Fils (0.02 JOD)
Měna Dinar (1949-date)
Složení Copper-nickel
Hmotnost 3.75 g
Průměr 20 mm
Tloušťka 1.6 mm
Tvar Round
Technika Milled
Orientace Medal alignment ↑↑
Rytci
V oběhu do
Reference KM#13, Schön#11
Popis líce Value and date with crowned circle within sprigs
Písmo líce Arabic
Opis líce
Popis rubu Value within circle above date and star
Písmo rubu Latin
Opis rubu
Hrana Milled
Mincovna
Náklad 1383 (1964) - ١٩٦٤-١٣٨٣ Specimen Sets only (KM#SS1) - 3 000
1385 (1965) - ١٩٦٥-١٣٨٥ Proof Sets only (KM#PS2) - 10 000
1385 (1965) - ١٩٦٥-١٣٨٥ Specimen Sets only (KM#SS2) - 5 000
ID Numisquare 5337640600
Další informace

Historical Context: The 1964-1965 20 Fils coin was issued during the reign of His Majesty King Hussein bin Talal, a transformative era for the Hashemite Kingdom of Jordan. Ascending in 1952, King Hussein guided Jordan through complex regional dynamics, prioritizing nation-building and economic modernization. This coin, part of a new decimal currency series, symbolized national sovereignty and economic stability as Jordan solidified its independent identity amidst significant Middle Eastern geopolitical shifts.

Artistry: The design of the 20 Fils coin adheres to a functional yet dignified stylistic school, typical for circulation coinage of the period. While specific engraver details are often unrecorded, the artistry clearly conveys national identity. The obverse likely features King Hussein's portrait or the national emblem—a crown surmounting an eagle, flanked by flags—with inscriptions in elegant Arabic script. The reverse displays the "20 Fils" denomination in Arabic, along with both Hijri and Gregorian dates, often framed by laurel or olive branches.

Technical/Grading: Struck in copper-nickel, this 20 Fils coin measures 20mm and weighs 3.75g. For grading, high-point wear is typically observed on the uppermost elements of King Hussein's effigy (if present), such as hair or crown, or on the intricate details of the national emblem, particularly the eagle's head and crown filigree. Arabic calligraphy can also show flattening on its raised elements. A well-struck example exhibits sharp definition in legends and motifs, with minimal central design weakness; bag marks are common due to circulation.

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