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| Emittent | Banco Anglo Costarricense |
|---|---|
| Jahr | 1909-1917 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The reverse is printed in brown with black intaglio, dominated by a central finely engraved vignette of the Monument to the National Campaign of 1856–1857 (Juan Santamaría monument), its pedestal inscribed with those dates, with small figures gathered at its base. The vignette is framed by a large arched border of intricate guilloche scrollwork, and circular white medallions at left and right each bear the bold numeral 20. The bank name ANGLO COSTARRICENSE appears in a prominent panel at the base of the design, with the printer's imprint below. |
| Rückseitenlegende | EL BANCO 20 20 ANGLO COSTARRICENSE BRADBURY WILKINSON Y Cª GRABADORES LONDRES |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banco Anglo Costarricense was the oldest commercial bank in Central America, founded in 1863 with British capital and operating under a government concession that permitted private note issue well into the twentieth century. This series ran across a notably long window — eight years — during which Costa Rica's banana export economy was expanding rapidly, making 20-colón denominations genuinely functional in large agricultural transactions rather than merely ceremonial tender.
Bradbury Wilkinson's involvement is worth noting: the London firm held contracts across dozens of Latin American issuers simultaneously, and their intaglio work for the Anglo Costarricense series was among the finer examples they produced for the region during this period.