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20 Centavos seal types II and III

Uitgever Banco Nacional Ultramarino
Jaar 1914
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen 120 × 71 mm
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Dark blue on multicolour underprint, with the Portuguese Coat of Arms at right and the bank seal at bottom centre in two distinct varieties. The overprint BOLAMA at top centre identifies the issuing branch. Dated Lisboa, 5 de Novembro de 1914, with the denomination VINTE CENTAVOS rendered in bold lettering.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Dark blue on salmon-pink guilloche underprint. A central intaglio vignette within an oval frame presents a classical female figure seated in three-quarter profile, with a harbour scene of sailing vessels in the background. Symmetrical geometric medallions at left and right each bear the denomination numeral 0$20, with the bank name in bold scroll banners across the upper portion and the printer's imprint at bottom centre.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Banco Nacional Ultramarino's 20 Centavos emergency fractional notes of 1914 were a direct response to the hoarding of metal coinage that swept Portuguese colonial territories — and metropolitan Portugal itself — at the outbreak of the First World War. Small-denomination coin disappeared from circulation almost overnight, and paper substitutes at fractions of the escudo became an administrative necessity.

The seal type distinctions between Pick 7's Type II and Type III variants reflect successive overprinting or authentication measures applied as the notes moved through different issuing or validating offices. Collectors have documented both, though distinguishing them in lower grades requires attention to ink quality and impression depth rather than design differences.

MISSCHIEN OOK INTERESSANT