Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Banco Nacional de Colombia |
|---|---|
| Year | 1887 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Peso decimalized (1847-date) |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Black intaglio print on gold underprint, with a portrait vignette of President Rafael Núñez at left and the Colombian Arms at right. Red serial number printed in letterpress. The overall layout is framed with fine lathe-work borders typical of late 19th-century American bank note engraving. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Printed in brown, the reverse is dominated by two large interlocking guilloche rosette medallions side by side, with a red overprinted seal at center overlapping both. The denomination "DOS REALES" appears in the upper corners flanking the central design, and a cashier's signature panel with an ornate cartouche is positioned at the bottom, above the printer's imprint of Homer Lee Bank Note Co., N.Y. The entire composition is enclosed within a finely engraved decorative lathe-work border. |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
The Banco Nacional de Colombia was established by the Colombian government in 1880 specifically to hold a monopoly on paper money issuance, displacing the private banks that had dominated during the earlier free-banking period. This note's dual denomination — centavos on one face, reales on the other — reflects the awkward transitional arithmetic of the 1871 decimalization, which had not yet fully displaced the old real-based accounting in everyday commerce sixteen years later.
Homer Lee operated out of New York during a relatively brief window before being absorbed into larger consolidations. Their Colombian work from this period is among the more obscure corners of their output.