Æ20

صادرکننده Ancona
سال 290 BC - 268 BC
نوع Standard circulation coin
ارزش
واحد پول
ترکیب Bronze
وزن 7.47 g
قطر 20 mm
ضخامت
شکل Round (irregular)
تکنیک Hammered
جهت
حکاک(ها)
در گردش تا
مرجع(ها) HN Italy#1, Campana#1, BMC Gr/It#p.40, SNG ANS 1#109, SNG Copenhagen#82
توضیحات روی سکه Venus wearing laureate facing right with letter behind.
خط روی سکه
نوشته‌های روی سکه M
توضیحات پشت سکه Bent right arm holding palm with two stars above and legend below.
خط پشت سکه
نوشته‌های پشت سکه ARKON
(Translation: Ancona)
لبه Smooth.
ضرابخانه
تیراژ ضرب ND (290 BC - 268 BC) - -
شناسه Numisquare 4475910620
اطلاعات تکمیلی

Historical Context: This Æ20 coin was issued by the Greek colony of Ancona on Italy's Adriatic coast between 290 and 268 BC. A Syracusan foundation, Ancona maintained strategic importance as a port city amidst the rising Roman Republic. Its bronze coinage reflects its economic autonomy and strong Hellenistic cultural identity, serving as a vital medium for local commerce and regional trade before its eventual integration into the Roman sphere.

Artistry: The design of this Æ20 exemplifies Hellenistic artistic conventions prevalent in Magna Graecia. While specific engravers are unrecorded, the dies were likely cut by skilled local masters. The obverse typically features a finely rendered head, often Aphrodite or Dionysus, with classical proportions. The reverse frequently displays the eponymous "ankon" (elbow), a direct visual pun on the city's name, often accompanied by a star or dolphin. This blend of divine imagery and local symbolism asserts cultural heritage and civic identity.

Technical/Grading: This bronze Æ20, weighing 7.47 grams and measuring 20 millimeters, exhibits characteristics typical of early Hellenistic bronze. High-points for the obverse portrait include hair, nose, and chin; the reverse's ankon shows wear on the elbow joint. Strike quality varies, with common issues like irregular flan shape, off-centering, and minor striking cracks due to ancient bronze technology. Die wear impacts detail sharpness, especially on finer portraiture and reverse motifs.

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