Catalogue
| Émetteur | Elaeusa-Sebaste |
|---|---|
| Année | 100 BC - 1 BC |
| Type | Standard circulation coin |
| Valeur | |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 6.81 g |
| Diamètre | 20.55 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Medal alignment ↑↑ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | SNG Leipzig 6#569, SNG von Aulock#6094 |
| Description de l’avers | Bearded head of Zeus right, hair bound in a taenia, HE monogram behind head |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Nike walking left, holding wreath and palm branch, Ω over A in left field. |
| Écriture du revers | Greek |
| Légende du revers | EΛAIOYΣΣIΩN |
| Tranche | |
| Atelier | |
| Tirage |
ND (100 BC - 1 BC) - - |
| ID Numisquare | 1922378020 |
| Informations supplémentaires |
Historical Context: This Æ20 from Elaeusa-Sebaste dates to the late Hellenistic period (100-1 BC), a time of geopolitical flux in Cilicia. Elaeusa-Sebaste, a prominent coastal city, exercised civic autonomy by issuing bronze coinage amidst growing Roman influence. The city asserted its identity and economic vitality through its currency, navigating alliances with local dynasts and emerging Roman authority. The "Sebaste" epithet hints at eventual imperial reverence.
Artistry: The design of this Æ20 aligns with the Late Hellenistic stylistic school, blending classical ideals with developing realism. While no specific engraver is recorded, the artistry typically features a deity's head on the obverse, such as Tyche or Zeus, rendered with naturalism. The reverse commonly displays a standing figure, or a local symbol like a galley prow or anchor, reflecting Elaeusa-Sebaste's maritime importance and civic pride. Execution aimed for clarity within the bronze medium.
Technical/Grading: Struck on a bronze flan (6.81g, 20.55mm), this coin typically exhibits characteristics common to Late Hellenistic bronze issues. High points, such as hair and facial features on an obverse portrait, or prominent drapery folds on a reverse figure, would be the first to show wear. Strike quality often varies, presenting off-centering or weakness, particularly on edges or larger devices, due to the bronze alloy and era's striking techniques. Flan irregularities are also common.