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| 表面の説明 | Central intaglio vignette of Oto Iskandar di Nata, the West Javanese national hero, in three-quarter portrait facing left, set against a fine guilloche underprint in shades of green. A colour-shifting optically variable device (OVD) ink element appears at lower left, with the large numeral '20000' in dark green at upper left and the Garuda Pancasila state emblem at upper right. The issuer's name 'BANK INDONESIA' and denomination 'DUA PULUH RIBU RUPIAH' are rendered in bold letterpress at lower left, with the subject's name 'OTO ISKANDAR DI NATA' inscribed beneath the portrait. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central intaglio vignette of two tea pickers wearing traditional conical hats, harvesting leaves into a large woven basket, set within a green and ochre guilloche underprint. The large numeral '20000' appears vertically at left and in bold at lower right, with 'BANK INDONESIA' inscribed at upper right and a colour-shifting OVD device at the right margin. The legend 'PEMETIK TEH' is inscribed below the vignette, with the statutory legal tender text running along the lower border above 'DUA PULUH RIBU RUPIAH'. |
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| 偽造防止技術 | ログイン して詳細を見る |
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Perum Peruri — the state security printing works established in 1971 — handled the entire production run of this series domestically, which was a deliberate policy shift away from the foreign printers Indonesia had relied on through much of the New Order period. The engraver credit to Mujirun is one of the few instances in modern Indonesian banknote production where an individual craftsman is identified by name, a practice more common in European intaglio traditions than in Southeast Asian state printing.
The series ran through the transitional years following Reformasi, when Bank Indonesia was granted formal independence from the finance ministry under the 1999 central bank law — the notes themselves circulated through the full early consolidation of that institutional shift.