Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Bavarian State Mint |
|---|---|
| Jaar | 1854 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Milled |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A perspective view of the Munich exhibition hall, depicted as a long neoclassical structure occupying the central field, with the arched legend ALLGEMEINE AUSSTELLUNG DEUTSCHER INDUSTRIE UND GEWERBS-ERZEUGNISSE curving above in two concentric lines. Below the building, separated by a horizontal ground line, the place name MÜNCHEN and the date 1854 appear in the lower exergual area, all enclosed within a beaded and dentilated border. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This piece was struck to commemorate the First General German Industrial Exhibition held in Munich in 1854 — Bavaria's answer to London's Crystal Palace Exhibition of 1851. The Munich event drew over a million visitors and was explicitly framed as a showcase of German economic and technological ambition under Bavarian cultural leadership, at a moment when the question of which German state would anchor a unified nation remained genuinely open.
Maximilian II saw the exhibition as political theater as much as commerce, and the commemorative coinage was part of that calculation.